You have to gag on the official yarn that the Titanic was just bad luck and worse binoculars, when the real gut-punch is a boardroom heist where tycoons torched their own floating palace to torch rivals and fatten ledgers. "The Titanic Conspiracy" doesn't recycle the watery widow weepers; it dredges the depths, hauling up manifests that scream switcheroo with the battered Olympic and whispers from White Star vaults about J.P. Morgan's grudge against Astor, Straus, and Guggenheim-those fedora-wearing foes who dared buck his banking cartel.
This is the iceberg they buried: a plot scripted in smoke-filled suites, where coal bunker blazes were lit on purpose to brittle the hull, and watertight doors slammed shut like coffin lids on 1,500 souls, all to cash a fat insurance check and cull the competition. Stuffed in the hold are the hooks that'd sink the salvage operation: declassified cables hinting at insider trades spiking pre-voyage, crew logs scrubbed of panic orders from the bridge, and survivor scrawls about "ghost ships" that don't match the maiden manifest. No teary deck-chair rearrangements here-just the cold calculus of how the Fed's birth in 1913 needed these dead men to grease the wheels, turning a "tragedy" into the ultimate distraction play.
Bashers bellow "tabloid trash," but the hull plates and hushed heirs hiss otherwise: this wasn't fate's fumble; it was finance's felony, a blueprint for every corporate carcass since. As 2025's deep-sea drones poke the rust, why swallow the salt when the sludge screams setup? This slab shucks the shell game, no chaser-just the chum of chicanery that'd make your stockbroker sweat. Plumb it if the plot thickens your blood; punt if pretty pictures float your boat. The wireless crackles with cover; tune in or tune out.
