How can the literary imagination bring us closer to a better world?The world is always changing. But there are also inflection points in history when the world feels
changed. Art has the prophetic power to imagine where we are going. It is perhaps no surprise, then, that in a world-historical moment of global upheaval and transformation, speculative literature and other futurist arts are enjoying a renaissance.
Boston Review believes that the arts must have a voice in the conversation about how we heal. In this new anthology of poetry, fiction, and essays from renowned writers and newcomers, contributors share with readers their feats of imagining the past and future that help us better understand what it means to be present in the world.
Speculation can lead us to collectively imagine better futures, or better ways of understanding our past. Abolition, civil rights, and Black Lives Matter all speculate about a future free of racial violence, just as #MeToo imagines one free of gendered violence. In some of our most joyful private moments, we speculate about what will be delicious and pleasurable, about what notes will sound good played together on an instrument, about spirits and the afterlife, about what we wish a lover would say to us, about what aliens might be like if we ever met them. Such works of the speculative imagination are, thankfully, almost boundless, though we imagine them within the bounds of who we are and what we assume to be true about the world.
Where will speculation lead us next?
How can the speculative imagination help us build a better world?
At a world-historical moment of global upheaval, speculative writing is enjoying a renaissance. This collection of poetry, stories, and essays engages speculation as both a ubiquitous feature of financial capitalism and a radical tool of collective imagination. By rejecting dominant ideas about what is possible, speculation empowers us to plot new paths to a more just world.
Creative works range over violence and healing, memory and erasure, and alternative worlds, while essays span the meaning of land and community in the African diaspora, Octavia Butler’s speculative fiction, and the ethics of the far future. Taken together, these works suggest that speculation is ultimately about our relationships with each other—as one contributor puts it, "what they have been, what they are, and most important, what they could be."
