With a new introduction by DIANA EVANS
'A writer of huge compassion and acute observation, and also of dazzling style . . . Her work is more relevant than ever' Diana Evans
'Timelessly cinematic, with painterly visual descriptions and pitch-perfect dialogue that ranges across class, region, race, age, and gender' Emma Garman, Paris Review
Set on a bucolic Martha's Vineyard in the 1950s, The Wedding tells the story of life in the Oval, a proud, insular community made up of the best and brightest of the East Coast's black bourgeoisie. Within this inner circle of 'blue-vein society', we witness the prominent Coles family gather for the wedding of their loveliest daughter, Shelby, who could have chosen from 'a whole area of eligible men of the right colors and the right professions.' Instead, she has fallen in love with and is about to be married to Mead Wyler, a white jazz musician from New York. A shock wave breaks over the Oval as its longtime members grapple with the changing face of its community.
Not just the story of one wedding, but of many, this compelling story offers insights into issues of race, prejudice and identity while maintaining its firm belief in the compensatory power of love.
Through a delicate interweaving of past and present, North and South, black and white, The Wedding unfolds outward from a single isolated time and place until it embraces five generations of an extraordinary American family. It is an audacious accomplishment, a monumental history of the rise of a black middle class, written by a writer who lived it. Wise, heartfelt, and shattering, it is Dorothy West's crowning achievement.
INTRODUCED BY DIANA EVANS
'You have only to read the first page to know that you are in the hands of a writer, pure and simple. At the end, it's as though we've been invited not so much to a wedding as to a full-scale opera, only to find that one great artist is belting out all the parts. She brings down the house' NEW YORK TIMES
On a summer weekend in 1953, the Coles family gathers in preparation for the wedding of its loveliest daughter, Shelby. The Oval is a proud, insular community made up of the best and brightest of the East Coast's black bourgeoisie and Shelby could have chosen from 'a whole area of eligible men of the right colours and the right professions'. Instead she has fallen in love with a white New York jazz musician and the 'blue-vein society' she belongs to struggles with the changing face of its community.
Through a delicate interweaving of past and present, North and South, black and white, The Wedding unfolds outward from a single isolated time and place until it embraces five generations of an American family. It is an audacious accomplishment, a monumental history of the rise of a black middle class. Wise, heartfelt and shattering, this landmark novel is Dorothy West's crowning achievement.
'Set on the Vineyard on a single summer weekend, The Wedding is narrated by an irresistibly droll omniscient voice that veers across centuries to trace the knotty, reverberating heritage of an affluent African American family . . . timelessly cinematic, with painterly visual descriptions and pitch-perfect dialogue that ranges across class, region, race, age, and gender' EMMA GARMAN, PARIS REVIEW
