Having trained with modern masters from the late 1940s to mid-1950s, Lygia Clark was at the forefront of Constructivist and Neo-Concretist movements in Brazil. This title examines Clarks output from her early abstract compositions to the biological architectures and relational objects she created late in her career.
Published on the occasion of the exhibition held at the Museum of Modern Art, New York, May 10-Aug. 24, 2014.